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Friday, January 18th 2007

REDESIGN DEUTSCHLAND
SYSTEM LÜFTUNG
Torstrasse 94
10110 Berlin

http://www.redesigndeutschland.de

Brasilian artist Alice Miceli is currently based in Berlin, where she works on the “Chernobyl project”.
Over the last years, Alice has been working on new approaches to re-visualise the memory of places which have an extreme history, such as the former prison of Phnom Penh / Cambodia or Chernobyl. According to Giselle Beiguelman, author of the Essay on Miceli’s work, she deals with poetics that lies in the realm of the “unportrayable” and rethinks our strategies for dealing with memory. Her work has been shown at exhibitions and festivals around the world.
During the Upgrade! talk, Alice will give an overview of her work, with a focus on her current project in Chernobyl.

More infos on Alice Miceli here:

http://www.jblog.com.br/chernobyl2.php
http://www.we-make-money-not-art.com/archives/2007/08/-your-first-vis.php
http://www.transmediale.de/site/en/programm
http://artnet.dortmund.de/artnet/project/assets/template7.jsp?smi=5.0&tid=66314

Our host for this Upgrade! talk is REDESIGN DEUTSCHLAND / aka System Lüftung - the association for the collective decimalisation of Germany. You will find the video interview with the curators of this place soon on this site!

digital culture performance


Upgrade! Berlin presents:
Ursula Endlicher’s Website Impersonations

Friday, September 20th 2007
8 pm

Gallery Tristesse Deluxe
Wallstrasse 15
10179 Berlin / Germany
U Maerkisches Museum
http://www.galerietristesse.org

Website Impersonations: The Ten Most Visited is a live performance series, which utilizes Web code as choreography. In this performance - #4 - Ursula is taking on the “character” of the Website “www.youtube.com - with its logo and color scheme - and perform its html code, which is fed in from the Web “on the fly”. During each of the performances the source code of the website is immediately translated into an ongoing scrolling of images, which each representing an html tag. Every image shows a movement sequence. Images derive from the html-movement-library, an online database of user-submitted movement suggestions. The audience on location is also invited to participate in the html dance. The series is presented in a multiple-media approach of live performance, real-time web-feed, and installation set-up.

field trips

Upgrade! Berlin Field Trip to Gallery Tristesse Deluxe

Thursday, August 9th 2007
6 pm

Karl-Marx-Allee 137
10243 Berlin / Germany
U Frankfurter Tor
http://www.galerietristesse.org

In German

Galerie Tristesse is an interdisciplinary discourse platform, which was launched by the Berlin artist Nelja Stump. It is a gallery and a project space at once, focussing mainly on social & urban structures in intercultural exchange.
Upgrade! Berlin brings an audience of artists, curators and other interested people to the public get-together at Tristesse on August 9th.

If you want to join us on this field trip, please send us a note in advance.

performance

Upgrade! Berlin presents
Iliadahomero from Curitiba / Brazil

Friday, June 8th 2007
8 pm

Studiobühne
Ritterstrasse 12-14
10969 Berlin / Germany
U Prinzenstrasse
http://www.studiobuehne-ritterstrasse.de/

Brazilian composer & director Octavio Camargo from Curitiba shows together with Claudete Pereira Jorge an interpretation of the first chant of the Iliade, the epos of Homer. The Iliade is known as the most ancient oeuvre of occidentail literature. The 50-minutes monologue reveals the impact of this text as the source code of European culture.
The performance will be in Portuguese, but the underlying semiotics of this piece can be grasped beyond any language restraints. And that’s exactly the intention of this play: Homer is used here as a media and a vehicle for interaction in different platforms of language, thus projecting different translations to different idioms.
“I see language as a code” says Octavio Camargo, “and with this dramatic piece, we want to share this code with our audience. I believe that the texts of Homer can provide a deep understanding of the modern human condition.”
Indeed, the Iliade is a veritable semiotic knot of the European culture and still, after 2500 years, provides a broad array of the most important archetypes and topoi of the occidental thinking.

Interpretation: Claudete Pereira Jorge | Director: Octavio Camargo | Translation: Odorico Mendes

Claudete Pereira Jorge is a popular actress from Brazil, who has been working on many different theatre and film stages for more than 30 years now.
Octavio Camargo is a composer and theatre director, and has been teaching Aesthetics and Harmony at the University of Arts in Parana (EMBAP), Brazil, since 1992.

Some Links to Octavios works:

http://organismo.art.br/blog/?p=2026
http://organismo.art.br/blog/?p=2015
http://www.errantbodies.org/camargo.html
http://errantbodies.blogspot.com/

Iliadahomero is currently guest at the Thessaloniki Biennial http://www.thessalonikibiennale.gr/ and will continue its travels throughout different European cities of the Upgrade! network http://theupgrade.net

field trips

Wednesday, May 9th 2007 @ Trampoline

Rungestrasse 20
10179 Berlin / Germany
http://www.trampoline-berlin.de/

The Upgrade! meeting at Trampoline has been very special, as we brought people together who did not know each other until then: We were just curious to find out what would happen when we invite two media artists, two curators, a sound artist and the Trampoline team, which were wonderful hosts of our gathering.
And it turned out to be just great: we had a highly interesting conversation about media art.
I will try to give you some impressions about what has been said.

First of all, I want to introduce Anette Schäfer and Miles Chalcraft, who founded Trampoline in 1997. They are having their 10th anniversary this year, like many other media art organisations all over the world.
Trampoline began life in 1997 as Nottingham ’s first ever platform event for new media art. In 2001, founders Anette Schäfer and Miles Chalcraft moved to Berlin and expanded Trampoline to Germany . Co-founder Gareth Howell continued Trampoline Nottingham throughout 2001 and 2002. Since then Trampoline has been left in the capable hands of a series of guest curators including the Nottingham art based collective REACTOR and Emma Lewis.
Trampoline Berlin / Nottingham launched the Radiator New Media Festival www.radiator-festival.org in 2000. At this moment, Anette and Miles are preparing the 4th Radiator Festival, coming up in November 2007 in Nottingham. This festival and symposium will feature a broad array of media artworks, among them a commissioned piece by Heath Bunting, called the Status Project. http://radiator-festival.org/content/news.php?id_artist=59

In 2006, Trampoline organised the FIRST PLAY BERLIN-Festival at HAU Berlin. http://www.trampoline-berlin.de/index.php?page=&docId=2
Here is how Trampoline describes the FIRST PLAY festival in their own words: “Giving media art a human interface, FIRST PLAY BERLIN explores audience interaction beyond a mouse-click with performers who use new technology for their art. With often game-like structures, these works make the viewer into a player and offer a perspective onto our everyday world outside of the mundane. Leaving the stage back at the theatre, they make use of locative media such as mobile phones, PDAs and location aware devices which enable them to get out onto the streets, embedding the work into the real, physical urban environment while simultaneously connecting to remote places and virtual spaces via the networks our cities are pervaded by.”

During our Upgrade! gathering we also touched upon these subjects. For example, we had a discussion about the role of the audience in live media performances. Miles pointed out that festivals like FIRST PLAY enable a shift of paradigms in terms of how the audience is involved in performances. The Trampoline team sees new forms of narratives, where the audience and the performers are able to interact much more, even without being in the same space. They see the traditional notions of ‘audience’ and ‘performer’ just about to dissolve.

Trampoline started with interesting streaming events as early as in 1997. They basically streamed over two telephone lines, which produced an interesting mix of pixelated images - with surprising good sound though. They showed us some of their very first streaming projects and we were amazed of the aesthetics they had sometimes, like artworks by Gerhard Richter.

These days they are pushing much more the locative media, as these interfaces allow for news forms of being free from a particular venue. Furthermore, the audience is also free from a venue and is able to roam a city for instance while they are actually being part of an interactive performance.

What’s the curatorial agenda of Trampoline?
Anette: I would say, our speciality, which we grew into over the course of the last ten years, is the overlap of media art and performance. We call that live media art now. It seems that this is increasingly becoming a new category of the international art world, as more and more media art festivals include performances these days.
As an example, Anette mentioned a piece they showed at the FIRST PLAY festival: Canadian artist Michelle Teran invited the audience on a CCTV tour of Berlin streets sourcing surveillance footage with her mobile video scanner. Revealing hidden layers and forbidden fragments, she pieced together unseen stories from invisible media all around us. All this has a lot to do with new technology and media but the work is presented in a performative way.

Where do you see yourselves in 10 years?
Miles: In the future, I would much more like to be a producer of one big single piece rather than commissioning many small-scale works. This would allow us to explore things a bit more in-depth and work longer with an artist. Also, I hope that we will manage to stabilize our organisation between two countries - which is quite a challenging thing to do.

Anette: What I definitely would like to see in the future is being networked in a better way. This seems to start already now with the Radiator festival for example. We don’t want to be the only ones who push that heavy wagon of a festival every two years. We would appreciate a lot to collaborate with other organisations, so that everybody can bring something into it. I want to work with many different people and get inspired by them.

Work is always selected for Trampoline from an open call for submissions.

Please find more information here:

http://www.trampoline-berlin.de

http://www.trampoline.org.uk

http://www.radiator-festival.org


Many thanks to Anette Schäfer and Miles Chalcraft, our hosts, Melanie Zagrean and Pierre Wolter from Gallery Art Claims Impulse, Wolfgang Kemper, Blaise Bourgeois, Chico Mello.

Ela Kagel, Upgrade! Berlin

field trips

Upgrade! Field Trip: NewYorkRioTokyo Berlin

Thursday, April 19th 2007

Eberswalder Strasse 4
10437 Berlin / Germany
http://www.nyrt.net/wordpress/

The non profit association “NewYorkRioTokyo” has been founded in summer 2005 with the purpose to create an international network for the promotion of young artists, designers and curators.

Please find more infos here:

http://www.nyrt.net/wordpress/

The contemporary art platform NewYorkRioTokyo has been founded in 2005 with the aim to establish an international network of young artists, producers and curators. The project space E4 in Berlin - Prenzlauer Berg until recently hosted video screenings, performances and other artistic interventions.
Meanwhile the project space has been shut down and the exhibitions moved to the Metro Gallery in Brunnenstrasse.
The association NewYorkRioTokyo is run by seven artists and curators from different countries. Upgrade! Berlin met Kai Schupke, one of their curators for a talk.

Besides his activities for NYRT Kai is also a member and curator of the Metro Galerie. Media aspect is for Kai an aspect of contemporary art and therefore a regular part of his exhibitions. “Media art is interesting, as our society is pretty much determined by media,” says Kai, “therefore we cannot give a statement about our society without considering the media.” NYRT offers an open spectrum of artistic works. The formal choice of the artworks is not the prime category for the selection of artworks. At this moment, the conceptual center of the gallery is based in installations and video art.

How are exhibitions organised at NYRT?
Throughout their exhibition practice, the curators of NYRT got to know many different people. This was the basis for many more projects to come. For every new exhibition they organise a dedicated project group. The association also collaborates with international partners on a regular basis.

Curatorial agenda:
There are currently two main projects with a particular socio-political background: Reloading Images , a platform for the cultural exchange between Germany and oriental countries. Land Escape , the second big project, deals with notions of nature in urban spaces.

Financial matters:
Kai says that they are regularly applying for funding. If they won’t be granted cultural subsidies, they have to pay from their private money. The NYRT organisers wish for collectors who want to be part of the whole development process of the gallery, rather than just being mere consumers of art.

As I ask Kai how he sees the current hype about Berlin as the prime European art location he says:” It is convenient to live here - due to low prices and low rents, but you can’t make real money here. If you live here and have your working base in the city - that’s difficult. You have to get out of the city every once in a while and engage in international projects. Because cultural exchange is actually the driving force of this city.” Kai thinks that the biggest potential of Berlin is the self-initiative of its inhabitants. As the government is very reluctant in puttting money into artistic projects there is very often also a lack of a general understanding and appraisal of art. He also observes that there is no real networking among the different art organizations. Also NYRT itself is not so much networked within Berlin , but rather in an international context.

We have visited the current exhibition “Science | Fiction” in the Metro Gallery. You can find more informations about this exhibition here: http://www.metro-berlin.net/index.php/news/

NYRT and the Metro-Gallery are always open towards new artists, projects and contacts. If you are interested please get in touch via one of these two websites:

www.nyrt.net
www.metro-berlin.net

field trips

January 20th 2007

Tucholskystr. 37
10117 Berlin / Germany
http://www.dam.org

Since it has been founded in 2003 the Digital Art Museum [DAM] Berlin has specialized in internationally acknowledged contemporary and historical digital art. The curator& galerist Wolf Lieser presents different aspects of this medium in his gallery: interactive installations, animations, software art, computer prints and netart.
[DAM] also includes an Essays section with articles by artists and theorists specially selected to place the works in context (many of them by special arrangement with Leonardo journal). A History section lists key events and technologies in date order.
[DAM] is intended for the enjoyment of all visitors, curators and collectors, scholars of art, and for an emerging generation of digital artists wishing to understand a 50-year heritage of innovation and experimentation.

Please find more details about the Digital Art Museum here: http://www.dam.org.

Join us on our caravan of questions on media art in Berlin…

Wolf Lieser, initiator of the [DAM]

On Saturday, January 20th 2007, Upgrade! Berlin together with an audience of media artists and curators was gathering at the Digital Art Museum to have a talk with the galerist Wolf Lieser about digital art. We were interested in finding out more about this gallery, which calls itself “museum” and originated from an online archive: how does the audience respond to the artworks? How to present digital art in a gallery? Is the term “media art” still a category of its own or can it be seen as a part of contemporary art? Which role does the [DAM] play within the media art scene in Berlin? Who can participate?

You can see the video of this Upgrade! field trip and the talk with Wolf Lieser here.

Here is a longer talk in German:

And some interesting statements in English:


Upgrade! Berlin & guests

field trips

Upgrade! Field Trip in die Galerie Art Claims Impulse
Interview vom 15.11.2006

photo: ana revuelta

Galerie Art Claims Impulse, Melanie Zagrean und Pierre Wolter, Lübbener Strasse 5, 10997 Berlin. Tel. 0049 30 61285956
http://www.art-claims-impulse.com/

Die Galerie Art Claims Impulse ist eine Plattform für neue Impulse der zeitgenössischen Kunst in der Lübbener Strasse in Berlin Kreuzberg. Die Galerie besteht aus einem ca. 20 qm großen, strahlend weißen Raum und einem Souterrain-Bereich für Video Screenings. Um einen Teil der Kunstwerke auch nach außen zu tragen, wurde oberhalb der Eingangstür ein Außenmonitor angebracht, der rund um die Uhr Kunstvideos ausstrahlt - die Art Claims Impulse „Außengalerie“. Draußen vor der Tür hängen Kopfhörer und Erläuterungen zu den Werken in Deutsch, Englisch und Türkisch.

Melanie Zagrean und Pierre Wolter, die beiden Gründer, haben die Galerie als eine variable Plattform konzipiert, die jederzeit ihre Form verändern kann. So ist zum Beispiel für eine Veranstaltung im Frühjahr geplant, die Türen und Fenster auszuhängen und den Innenraum in eine Bühne zu verwandeln. Die Idee ist, dass der Betrachter, nahe an die Kunst herankommt: unmittelbar mit ihr konfrontiert wird.

Der inhaltliche Schwerpunkt von Art Claims Impulse liegt auf Videokunst und Performance, wobei die beiden Galeristen prinzipiell für alles offen sind, was ihrem Grundverständnis von Kunst entspricht: “Wir wollen, dass neue Impulse in der Kunst entstehen. Diese sollen uns weiterbringen… neue Definitionen ermöglichen. Sie sollen uns nicht auf unserem Sofa sitzen lassen. Und vor allen Dingen sollen sie ‘Statement’ sein. Ein Statement zu fällen heißt, leidenschaftlich sein. Wir wollen, dass Künstler wieder schwitzen. Sie sollen sich stellen und sich nicht nach den Gefälligkeiten der Stipendiengeber richten. Wir wollen auch, dass unser unmittelbares Umfeld sich mit Kunst auseinandersetzt.”

Upgrade! Berlin war am Donnerstag, den 15. November zu Gast bei einem Screening der Videokunstarbeiten der Außengalerie und hat Melanie Zagrean und Pierre Wolter, interviewt.
“Unser Ziel ist es, Kunst für alle zugänglich zu machen” betonen die beiden Veranstalter. “Wir machen nicht nur Ausstellungen für ein spezielles Publikum, sondern wir wollen gerade auch die Leute mit einbeziehen, die draußen vorbeilaufen und nicht unbedingt etwas mit Kunst zu tun haben. Die winken wir dann auch schon mal gern hinein.” Dasselbe gilt auch für Künstler. “Jeder ist eingeladen, bei unseren Open Calls mitzumachen” sagt Melanie. “Was wir sehen wollen ist, dass jemand mit Leidenschaft dabei ist, und dass er oder sie etwas Neues mit dem Werk ausdrückt.“ Pierre betont: „Wir wollen sehen, dass sich der Künstler an einer Diskussion (und Diskurs) beteiligt, diese fortführt, sie verbessert, einen neuen Impuls einbringt.“

Art Claims Impulse - das ist der Name und gleichzeitig auch die Philosophie der Galerie. Melanie und Pierre wünschen sich, dass der Prozess des Betrachtens von Kunst mehr ins Zentrum gelenkt wird. Sich mit Kunst wirklich auseinander zu setzen, also nicht etwa nur in eine Galerie hinein- und wieder hinauszugehen, beansprucht den Betrachter auf vielfältige Art und Weise. “Art Claims Impulse” - das bedeutet: wer der Kunst näher kommen will, muss auch etwas dafür geben, sich einsetzen, einen Impuls aussenden.

Wir fragen nach dem Feedback bisher. Melanie und Pierre, die zuvor jahrelang in London gelebt und gearbeitet hatten, sehen die bisherige Resonanz sehr positiv. “Wir wollten unbedingt in diese internationale, bunte Gegend von Berlin” erklärt Pierre, “das erinnert uns auch sehr an London. So langsam nehmen uns die Leute wahr und es kommen immer mehr Besucher. Ich glaube, dass unser Konzept aufgehen wird.”

Leidenschaft - das ist auch ein Begriff, der zu den beiden Galeristen passt. Sie haben die Ausstellungsräume in Eigenregie ausgebaut und selbst eine Finanzierung aufgestellt. Sie kümmern sich um die PR, den Kontakt zu Künstlern, produzieren aufwändige Informationsmaterialien - insgesamt ein sehr hoher Anspruch, dem beide mit Enthusiasmus und Charme gerecht werden.

Was sind die Pläne für die Zukunft? Die Ausstellungen der Außengalerie sollen touren, es wird halbjährliche Compilations der Videokunstarbeiten auf DVD geben und es sollen noch viel mehr spannende Künstler aus der ganzen Welt nach Berlin geholt werden. Außerdem gibt es Pläne ein Video- und Performance Festival in Berlin aufzubauen. In der Galerie werden regelmäßige Veranstaltungen zu den Werken stattfinden, bei der auch die Künstler anwesend sind. Geplant sind auch Informationsveranstaltungen zu Video- und Performancekunst.
Pierre und Melanie sehen ihre Rolle vor allem auch darin den Bezug zur Kunst und das Verständnis für die dargebotene Kunst, vor allem auch bei Leuten, die nicht kunstversiert sind, zu fördern.

Und zum Schluss noch ein Aufruf für alle Videokünstler:
Die Außen-Galerie soll als Plattform für internationale talentierte Kunststudenten / Künstler dienen, die dadurch in einem spannenden Stadtteil von Berlin ausstellen können. Berlin, Kreuzberg bietet einen sehr interessantem Mix zwischen junger kreativer Kunst-, Design- und Clubszene und einem deutsch / kurdisch / türkisch / arabisch geprägtem Umfeld.
Jeder Künstler, der von uns ausgewählt wird, hat die Möglichkeit seine Videowerke drei-vier Wochen lang kontinuierlich ausstrahlen zu lassen. Ferner wird alle sechs Monate eine von uns editierte Compilation aus den Werken herausgebracht und vertrieben. Bei Interesse, sendet uns bitte eine E-Mail mit einer Beschreibung Eures Projektes (Format: Fotos, Stills, Text). Ihr werdet dann, nach einer Vorauswahl von uns eingeladen, das Material zur zweiten Besichtigung zu schicken. Wir sind dabei ein FTP Account zu eröffnen, wo ihr eure Filme zur Besichtigung uploaden könnt, ohne Sie uns per Post zuschicken zu müssen. Bitte schaut demnächst auf die Webseite:

www.art-claims-impulse.com.